![]() It is a single-channel re-amp box, so the Radial ProRMP is perfect if you’re just a solo guitarist re-amping some easy mono tracks. ![]() So you can be sure it’s going to hold up to your studio use and abuse. ![]() With a bright blue color, the Radial ProRMP is a passive box that does not need any additional power to work, and it is built like a tank with a mighty 14-gauge steel chassis. It is the smallest out of the re-amp boxes made by Radial, it’s simple and gets the job done for a great price. Which is an affordable 1-channel passive re-amp box that can reamp everything from guitars, bass, keyboards, percussion, and even voice. Our top pick for this list is the Radial ProRMP. Here are our top 5 picks for the best re-amp boxes available in 2022: In this article, we are going to cover the 5 best re-amp boxes from various price points that you can find in 2022, so you’ll be able to make an informed choice on which re-amp box is best for you. There are a lot of different re-amp boxes, from active to passive, to 2-in-1 DI/Re-amp boxes. In short, a re-amp box is an audio converter that also can send your signal back out to an amplifier, instead of just taking a DI into the computer. So what is a re-amp box?Ī re-amp box is often confused with a DI box, but in addition to recording the DI, a re-amp box allows you to take that DI and send it back through a guitar amp or a pedal chain.Ī DI box converts an unbalanced instrument-level signal to a balanced mic-level signal for an audio interface and mixing console, but a re-amp box will convert a balanced line-level signal to an unbalanced instrument-level signal. It’s considered a good practice because if you’re neck-deep in mixing and find that your guitar tone simply isn’t working well, you can take your DI’s and re-amp them through something else.Īnd although it is mostly used for electric guitar, the re-amping technique can also be used for bass guitar and keyboards. Re-amp boxes allow you to send a recorded DI back out to an amplifier which you can then take back into the computer. Much like recording with a DI box, but with a reamp box we aren’t just going ‘in’, we’re also able to send the DI back out to an amplifier. Re-amping is a two-step recording technique in which you first record a clean DI, and send that DI track through your selected amplifiers, effects, and various mics for re-recording. A detailed look at 5 of the best reamp boxes on the market.Using a transformer helps eliminate ground noise transformers allow signal to pass from the input to the output without a direct connection between the grounds.Īt the end of the day, reamping is a valuable tool that allows engineers to create new and interesting layered tones, help fill out a mix, or free up time to focus on a musicians’ performance.Disclosure: We may receive commissions when you click our links and make purchases. Radial’s Reamper uses a passive design with a custom wound transformer and circuit. It features both XLR and ¼” TRS input connectors, variable output level, and a three-position filter that lets you tame excessive highs, warm up the lows or simply bypass if you want to revert to the original circuit. At Hybrid Studios, we like to use Radial’s JCR Studio Reamper. To solve these issues typically a reamp box is used. In addition, connecting the two systems directly can also create a path for noisy ground currents to flow into the audio paths. Conversely, most amps are designed for low-level, unbalanced, high-impedance signals, so patching right from pro-audio to guitar gear can cause an impedance mismatch. ![]() Professional recording equipment uses a high-level, typically balanced, low-impedance signal. In other words, you can focus on the performance while the musician is at his or her best and then take your time to reamp something by moving microphones around the room, changing amps or adding effects as needed after the performer has left. Another reason you might want to reamp something is the flexibility it gives a production team to focus on the performance rather than the tone. By playing a dry signal through an amplifier and then using room mics to capture the ambiance, engineers are able to create new layers and blend wet signals with the original dry recording to achieve a new sound. ![]() Typically, the goal when reamping is to “warm up” dry tracks, which often means adding complex, musically interesting layers. You might reamp a track to add amplifier distortion, EQ, compression, or natural reverb. To reamp in studio means to take a recorded track, played out of a speaker, and re-record it using different microphones and mic placements to achieve new tones. ![]()
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